Monday, December 31, 2007
Saturday, December 1, 2007
Tuesday, November 27, 2007
R.B. Kitaj R.I.P.
Easily my favorite contemporary painter, I only read today that he died October 21 in Los Angeles.
Monday, November 26, 2007
Monday, November 12, 2007
Joe Strummer: The Future Is Unwritten (2007)
Regency South Coast Village, Santa Ana, Calif.
Directed by Julian Temple, who directed the Sex Pistols documentary “The Filth and the Fury,” this is the only documentary that matters about the leader of the only band that mattered—Joe Strummer and the Mescaleros.
Cleverly interspersed throughout are clips from various film adaptations of George Orwell (“Animal Farm,” “1984”), audio from Joe Strummer’s own BBC radio show, and footage of a band called The Clash.
The film doesn’t play by certain tired rules of the genre, such as identifying who’s speaking, but it does provide previously unseen footage, obscure biographical information, and a redemptive narrative arc.
Truly inspiring.
Directed by Julian Temple, who directed the Sex Pistols documentary “The Filth and the Fury,” this is the only documentary that matters about the leader of the only band that mattered—Joe Strummer and the Mescaleros.
Cleverly interspersed throughout are clips from various film adaptations of George Orwell (“Animal Farm,” “1984”), audio from Joe Strummer’s own BBC radio show, and footage of a band called The Clash.
The film doesn’t play by certain tired rules of the genre, such as identifying who’s speaking, but it does provide previously unseen footage, obscure biographical information, and a redemptive narrative arc.
Truly inspiring.
Friday, September 28, 2007
Burmese Days II
Reports are that the Buddhist monasteries are being raided, monks beaten and arrested, and that internet traffic has been silenced in the military state of Myanmar/Burma.
Social harmony is preserved at the cost of freedom and civil liberties.
Social harmony is preserved at the cost of freedom and civil liberties.
Thursday, September 27, 2007
Burmese Days
Burma, the world is watching, or should be; photography bears witness and sites such as flickr and you tube do more to support democracy than most governments:
http://en.wikipedia.org/wiki/Aung_San_Suu_Kyi
http://www.dassk.com/index.php
As of this writing, nine have been killed by the government, eleven wounded.
"What is valuable can not be obtained without effort."
-- Aung San Suu Kyi
http://en.wikipedia.org/wiki/Aung_San_Suu_Kyi
http://www.dassk.com/index.php
As of this writing, nine have been killed by the government, eleven wounded.
"What is valuable can not be obtained without effort."
-- Aung San Suu Kyi
Sunday, September 23, 2007
Sunday, September 9, 2007
Bebel Gilberto + Forro in the Dark
The Avalon, Hollywood
Labels:
Bebel Gilberto,
Brazilian,
Forro in the Dark,
music
Thursday, September 6, 2007
Unveiling of the Great Picture
Art Center South Campus; Pasadena, Calif.
Labels:
Legacy Project,
photography,
The Great Picture
Monday, August 27, 2007
Saturday, August 25, 2007
Friday, August 24, 2007
Thursday, August 23, 2007
Valentine shoot
Santa Ana, Calif.
From Baton Rouge, her mother is friends with Andrei Codrescu, whom she called both "pretentious" and her favorite New Orleans writer.
From Baton Rouge, her mother is friends with Andrei Codrescu, whom she called both "pretentious" and her favorite New Orleans writer.
Friday, August 17, 2007
Alexei Jawlensky at the Norton Simon
This afternoon I took a long meandering drive into the hellhole of Los Angeles, my way blocked at every turn, and instead of buying film at Freestyle I found refuge at the Norton Simon.
There was a show of paintings by Alexei Jawlensky downstairs. Initially I was unimpressed, but smaller early works like "The Hunchback" (1917) and "Helene" (1916) managed to go beyond rehashed Matisse; and the abstracted faces of the twenties, with their playful line and light, airy colors, made the show.
The faces of the thirties were darker, for darker times.
There was a show of paintings by Alexei Jawlensky downstairs. Initially I was unimpressed, but smaller early works like "The Hunchback" (1917) and "Helene" (1916) managed to go beyond rehashed Matisse; and the abstracted faces of the twenties, with their playful line and light, airy colors, made the show.
The faces of the thirties were darker, for darker times.
Monday, August 13, 2007
Minox B prints
Two rolls of Minox prints arrived today from Blue Moon in Portland, one color and one in sepia-toned black-and-white (printed on color paper). Once again, the results are lovely.
Every shot doesn’t work; for example, it was too dark in Kroll’s house to get much that was usable, but I knew that would most likely be the case. The picture of Renee at the kitchen sink, while underexposed, is at least a nice memento. The pictures of Carly in the bathroom are blurry but perhaps hold some interest. I don’t know if my focus was off or if she was just too much in motion.
Every shot doesn’t work; for example, it was too dark in Kroll’s house to get much that was usable, but I knew that would most likely be the case. The picture of Renee at the kitchen sink, while underexposed, is at least a nice memento. The pictures of Carly in the bathroom are blurry but perhaps hold some interest. I don’t know if my focus was off or if she was just too much in motion.
Sunday, August 12, 2007
The Invisible Man Returns (1940)
A very young and invisible Vincent Price starred in "The Invisible Man Returns" last night on KDOC. It was fun and I don't think motion pictures have improved all that much in years since it was made.
Monday, August 6, 2007
Tuesday, July 31, 2007
WSJ and Michelangelo Antonioni R.I.P
There are two deaths to report this afternoon: the purchase of the Wall Street Journal by Rupert Murdoch and the passing of Michelangelo Antonioni in Rome.
Labels:
film,
Michelangelo Antonioni,
Wall Street Journal
Monday, July 30, 2007
Ingmar Bergman and Tom Snyder R.I.P.
Bergman is playing chess with Death; Tom Snyder has signed off for the final time.
Thursday, July 19, 2007
Orange County Fair -- Honorable Mention
"Urban Landscape" took honorable mention in the professional printmaking category, and (from what I understand) Noriho Uriu swept the rest of the awards. One of my relief prints from a previous year is reportedly also on display.
Friday, July 13, 2007
Friday nights at Image Control
I stopped in Friday morning to pick up work at Image Control, Orange County's last black-and-white photo lab and my former place of employment, at which time Ron invited me to the Friday night get-together after work.
Next Saturday night: Reflective Image Studios next door holds a reception for their inaugural show, featuring work by Katzenberger, Debora Nelson, et al.
Next Saturday night: Reflective Image Studios next door holds a reception for their inaugural show, featuring work by Katzenberger, Debora Nelson, et al.
Labels:
George Katzenberger,
Image Control,
photography
Sunday, July 8, 2007
Wednesday, July 4, 2007
Sunday, July 1, 2007
Saturday, June 30, 2007
Laguna Beach Festival of Arts
Tonight was the invitation-only preview for the 75th annual Laguna Beach Festival of Arts. No comment on the Pageant of the Masters, a related event in which actors dress up as paintings for some reason; this was the art festival portion of the proceedings, and it was well attended . . . with food, wine and cleavage flowing freely.
Each year the exhibitors at the festival include a large number of printmakers, including Donna Westerman, Dirk Hagner, Noriho Uriu, Julita Jones, and Vinita Voogd. Dirk's woodcuts are always amazing, usually writers but this year a series of very interesting nudes printed from multipe blocks.
While waiting in line I had the thought of shooting a series of black-and-white portraits of printmakers, the way Renee King has been doing with photographers.
Each year the exhibitors at the festival include a large number of printmakers, including Donna Westerman, Dirk Hagner, Noriho Uriu, Julita Jones, and Vinita Voogd. Dirk's woodcuts are always amazing, usually writers but this year a series of very interesting nudes printed from multipe blocks.
While waiting in line I had the thought of shooting a series of black-and-white portraits of printmakers, the way Renee King has been doing with photographers.
Labels:
Dirk Hagner,
Donna Westerman,
Noriho Uriu,
printmaking
Sunday, June 24, 2007
Thursday, June 21, 2007
Conversations with Eric Kroll
After shooting with Renee Wednesday night and into Thursday morning, I drove her up to Eric Kroll's place in Silverlake, from which she would leave for New York City.
Eric Kroll is not to everyone's tastes, but I was glad to meet him and thrilled just to be inside his home: on one wall, the huge Helmut Newton portrait of Andy Warhol; elsewhere, work by Larry Clark, Bunny Yeager, Eric Stanton, John Willie; a nude of the late model Gia.
We had a lot to talk about, since we've been shooting a lot of the same models, and from the moment we met he was insisting I show him my work. Of one piece, he said, "I think I've shot this girl." (True enough: she had worked with him the same day she shot with me.)
Looking at the image with his editor's eye he decided that, "this is good, I think." He liked my work but worried that the technique was getting in the way of the message. I'm supposed to send him more images at Taschen Books.
Renee was mostly silent as we sat on the porch and talked, but when he went into the other room to fetch a handful of vintage Bizarre magazines she said that she was seeing him in a different light. I wish I had a better idea what she meant.
Around 1:30 in the morning, when she announced that she was going to take a shower, she may have been a little scared when he said he would take one too . . . at least until he clarified that he'd wait until she was done.
Eric Kroll is not to everyone's tastes, but I was glad to meet him and thrilled just to be inside his home: on one wall, the huge Helmut Newton portrait of Andy Warhol; elsewhere, work by Larry Clark, Bunny Yeager, Eric Stanton, John Willie; a nude of the late model Gia.
We had a lot to talk about, since we've been shooting a lot of the same models, and from the moment we met he was insisting I show him my work. Of one piece, he said, "I think I've shot this girl." (True enough: she had worked with him the same day she shot with me.)
Looking at the image with his editor's eye he decided that, "this is good, I think." He liked my work but worried that the technique was getting in the way of the message. I'm supposed to send him more images at Taschen Books.
Renee was mostly silent as we sat on the porch and talked, but when he went into the other room to fetch a handful of vintage Bizarre magazines she said that she was seeing him in a different light. I wish I had a better idea what she meant.
Around 1:30 in the morning, when she announced that she was going to take a shower, she may have been a little scared when he said he would take one too . . . at least until he clarified that he'd wait until she was done.
Labels:
Eric Kroll,
fetish,
photography,
Renee King,
Silverlake
Sunday, June 17, 2007
Friday, June 15, 2007
Nancy Chiu in Newport Beach
Nancy Chiu had a piece in a show that opened tonight at Cordell Surfboards on 31st Street in Newport Beach, along with some CSULB grad students and others. It was quite crowded actually, and the space got a bit steamy and tropical; but it was cool outdoors.
Thursday, June 14, 2007
Zwartboek (2006)
At Bay Theater, Seal Beach
Paul Verhoeven's thoughtful tone poem on the Dutch Resistance of World War II. Not as funny as "Hogan's Heroes," but actress Carice van Houten has a really nice . . . smile. Contains nudity, but probably not enough.
Paul Verhoeven's thoughtful tone poem on the Dutch Resistance of World War II. Not as funny as "Hogan's Heroes," but actress Carice van Houten has a really nice . . . smile. Contains nudity, but probably not enough.
Tuesday, May 1, 2007
Friday, April 27, 2007
Monday, April 23, 2007
The Best and the Brightest
Now comes news that David Halberstam has been killed in a fiery car crash in Menlo Park. Horrible.
Alas, poor Boris
Boris Yeltsin has died, first president of the Russian Federation. He didn't amount to much in recent years, but in 1991 he seemed like a big man. That was a year before I was in Russia, when he was standing on top of Soviet tanks giving speeches in front of the Russian White House.
A year later, in 1993, the tanks were his and he was shelling that same White House, and the parliamentarians therein who had tried to impeach him. Another year passed and it was the start of the First Chechen War.
In 1999 he gave the world Vladimir Putin.
A year later, in 1993, the tanks were his and he was shelling that same White House, and the parliamentarians therein who had tried to impeach him. Another year passed and it was the start of the First Chechen War.
In 1999 he gave the world Vladimir Putin.
Saturday, April 21, 2007
Thursday, April 12, 2007
Saturday, April 7, 2007
Friday, April 6, 2007
literature & art
Davi Loren and I put the 2007 Orange Coast Review literary journal to bed last night; it should be at the printer this morning. We also ordered 1,000 postcards for the reception to be held May 3 at Orange Coast College, Costa Mesa, California.
Also yesterday I noticed in the New Yorker that Robert Seydel, whom we used in a previous issue, has a show currently at CUE Art Foundation in Chelsea.
Here's a review.
Also yesterday I noticed in the New Yorker that Robert Seydel, whom we used in a previous issue, has a show currently at CUE Art Foundation in Chelsea.
Here's a review.
Labels:
art,
literature,
Orange Coast Review,
Robert Seydel
Sunday, April 1, 2007
Wednesday, March 28, 2007
John Sexton at Cypress College
Wearing an Ansel Adams beard, brown vest, blue shirt, bolo tie and blue jeans, large-format landscape photographer John Sexton spoke for two hours at Cypress College last night. It was very inspiring, even though I had just received confirmation from Ron Regev that Image Control, Orange County's last and best black-and-white lab, is indeed closing. . . .
Tuesday, March 27, 2007
Wednesday, March 21, 2007
'Does Anybody Here Remember Vera Lynn?'
Vera Lynn, singer of "The White Cliffs of Dover" and "We'll Meet Again," celebrated her 90th birthday yesterday in England.
The World War II-era song "We'll Meet Again" was last heard in the closing credits of Dr. Strangelove, and referenced by Roger Waters in Pink Floyd's The Wall.
The World War II-era song "We'll Meet Again" was last heard in the closing credits of Dr. Strangelove, and referenced by Roger Waters in Pink Floyd's The Wall.
Sunday, March 18, 2007
Liz Ashley shoot
Last Sunday I shot with Liz Ashley at the Miyako Hotel in Little Tokyo. It was great. <. . .>
Sunday, February 25, 2007
A Day in the Life
Scouted locations this morning with Courtenay for her next shoot for Laguna Life and People, read some of the Diane Arbus biography she had on her coffee table, scanned some negatives, and then went to see a show of student work at CSULB at the invitation of Nancy Chiu. One student in the printmaking exhibit was Donna Champagne, who came out of Orange Coast College.
Saturday, February 24, 2007
Los Corazónes
Last night was a closing reception at Amorviejo Gallery in Santa Ana. Included in the show were Carole Gelker, Tom and Lisa Dowling and Michael Maas, the latter of whom was once on an episode of Downtown with Huell Howser.
Labels:
Carole Gelker,
group shows,
Michael Maas,
Tom Dowling
Monday, February 12, 2007
The Mystery of Picasso (1965)
At the Los Angeles County Museum of Art this weekend, the 1956 film "La Mystere de Picasso." At first it seemed like it was going to be boring, these black-and-white Picasso scribbles slowly appearing on the movie screen, line by line, piece by piece, until the drawing is finished. Then another drawing. Then another. Then something a little more cubist. Then another.
But eventually they pulled back for a moment and showed the little man behind the curtain; showed how it was all being done. In a darkened studio, old Mr. Picasso drawing on the back of a white surface set up and filmed in such a way that he, the artist, was not visible, only the art.
Then they started to run out of film. The artist said he wanted to try something more precarious. Pulling out the oils, he did a larger format painting which morphed and changed in a series of animated freeze-frames. After a short time, the finished piece and the director's voice, in French: "I'm worried that the audience will think you did this in ten minutes."
"How long did it take?" asks Picasso.
"Five hours!"
"So now they know."
But eventually they pulled back for a moment and showed the little man behind the curtain; showed how it was all being done. In a darkened studio, old Mr. Picasso drawing on the back of a white surface set up and filmed in such a way that he, the artist, was not visible, only the art.
Then they started to run out of film. The artist said he wanted to try something more precarious. Pulling out the oils, he did a larger format painting which morphed and changed in a series of animated freeze-frames. After a short time, the finished piece and the director's voice, in French: "I'm worried that the audience will think you did this in ten minutes."
"How long did it take?" asks Picasso.
"Five hours!"
"So now they know."
Wednesday, January 31, 2007
Fake Plastic Trees
George Katzenberger's "Impostors" show opened last night at Cypress College. . . .
Friday, January 19, 2007
Centered, Self-
"Centered on the Center" is a salon-style, unjuried group show put on by the Huntington Beach Art Center every year in January. It's always a mixed bag, but nicely arranged. I have an etching and a linocut in this year's show, which opened tonight.
Labels:
art,
centered on the center,
group shows,
printmaking
Monday, January 1, 2007
The Pleasures of Old-Time Television
Tonight's episode of The Alfred Hitchcock Hour, "Anyone for Murder?"
The Alfred Hitchcock Hour airs locally on KDOC-TV, followed by The Twilight Zone. "Anyone for Murder?" starred a couple of Twilight Zone alumni as well as a young Richard Dawson. This was 1964, a year before Hogan's Heroes and well before Family Feud.
A previous episode had Barney Martin, better known to most of us as Morty Seinfeld.
But most exciting for me was "Murder Case" (1964), featuring not only the husband and wife team of John Cassavettes and Gena Rowlands but also John Banner as the Dutch customs man who foils their scheme. This was a year before Banner was to become a bit better known as Sgt. Schultz, who never foiled a thing in Hogan's Heroes.
The Alfred Hitchcock Hour airs locally on KDOC-TV, followed by The Twilight Zone. "Anyone for Murder?" starred a couple of Twilight Zone alumni as well as a young Richard Dawson. This was 1964, a year before Hogan's Heroes and well before Family Feud.
A previous episode had Barney Martin, better known to most of us as Morty Seinfeld.
But most exciting for me was "Murder Case" (1964), featuring not only the husband and wife team of John Cassavettes and Gena Rowlands but also John Banner as the Dutch customs man who foils their scheme. This was a year before Banner was to become a bit better known as Sgt. Schultz, who never foiled a thing in Hogan's Heroes.
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