There was a show of paintings by Alexei Jawlensky downstairs. Initially I was unimpressed, but smaller early works like "The Hunchback" (1917) and "Helene" (1916) managed to go beyond rehashed Matisse; and the abstracted faces of the twenties, with their playful line and light, airy colors, made the show.

The faces of the thirties were darker, for darker times.
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